‘Drive My Car’: In this quiet Japanese masterpiece, a widower travels to Hiroshima to direct an experimental version of Chekhov’s “Uncle Vanya.”Īs my colleague Joe Nocera has recently pointed out, the misdeeds of Stratton Oakmont - a relatively straightforward pump-and-dump scam built on the temporarily inflated value of often worthless stocks - have little in common with the elaborate, as yet mostly unpunished, schemes that wrecked the economy a decade after Jordan Belfort’s downfall.‘Passing’: Set in the 1920s, the movie centers on two African American women, friends from childhood, who can and do present as white.‘Spencer’: Kristen Stewart stars as an anguished, rebellious Princess Diana in Pablo Larraín’s answer to “The Crown.”.‘Summer of Soul’: Stevie Wonder, Mahalia Jackson, Mavis Staples and others shine in Questlove’s documentary about the Harlem Cultural Festival.Scott and Manohla Dargis, selected their favorite movies of the year. DiCaprio’s brow, the still-boyish openness of his smile - makes actively despising him almost impossible. As portrayed in the movie, Jordan Belfort is a thoroughly despicable human being, but one whose charm - the ineradicable trace of melancholy furrowing Mr. Winter (whose television credits include “The Sopranos” and “Boardwalk Empire”) declines to treat his rise and fall as a fable of redemption. Belfort’s book is more boast than confession, and Mr. What matters to him is that greed is fun. That sentiment is far too lofty for Jordan. Gordon Gekko, the lizard of “Wall Street,” proclaimed that greed is good. Jordan is forthright about the ecstasies of money - the pills, women, cars and other toys it allows him to buy, and above all the pure dopamine rush of acquiring more - and indifferent to anything else. As Jordan (a real person whose memoir is the source of Terence Winter’s screenplay), he achieves a kind of superhuman shallowness. Playing a plantation owner in “ Django Unchained,” he savored the sulfurous corruption of an older ruling class. DiCaprio a chance to explore the romantic side of wealth. “ The Great Gatsby“ (this year’s other major motion picture about a rich criminal with a mansion on Long Island) gave Mr.
#WOLF OF WALL STREET MOVIE ONLINE MOVIE#
This movie may tire you out with its hammering, swaggering excess, but it is never less than wide-awake.Īt the center of the whirlwind is Jordan Belfort, a crooked stock trader played by Leonardo DiCaprio, who has recently become the handsome cinematic face of extreme capitalism. Even the occasional lapses of filmmaking technique (scenes that drag on too long, shots that don’t match, noticeable continuity glitches) feel like signs of life. “ Goodfellas,” a sprawling inquiry into how some men do business, is an obvious precedent, and so is “ Mean Streets,” an intensive study of how some men get into trouble. Scorsese has thrown himself into filmmaking with this kind of exuberance. Then as now, the movie is likely to be the subject of intense scholarly debate: Does it offer a sustained and compelling diagnosis of the terminal pathology that afflicts us, or is it an especially florid symptom of the disease?įrom its opening sequence - a quick, nasty, unapologetic tour through its main character’s vices and compulsions, during which he crash-lands a helicopter on the grounds of his Long Island estate and (not simultaneously) shares cocaine with a call girl in an anatomically creative manner - to its raw, chaotic finish, “The Wolf of Wall Street” hums with vulgar, voyeuristic energy.
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Future archaeologists, digging through the digital and physical rubble of our long-gone civilization in search of reasons for its collapse, will be greatly helped if they unearth a file containing “The Wolf of Wall Street,” Martin Scorsese’s three-hour bacchanal of sex, drugs and conspicuous consumption.